![]() Meta then delivers individualised ads from us on Facebook or on Instagram that are tailored to your needs. Meta is able to identify you by your browser ID, as this is linked to other data about you stored by Meta on your Facebook or Instagram user account. When you visit our websites, the pixel establishes a direct connection to Meta's servers. The meta pixel are code snippets which are able to identify your browser type via the browser ID - the individual fingerprint of your browser - and to recognise that you have visited our websites and what exactly you have looked at on our websites. The Meta Pixel is a remarketing pixel implemented on our websites that allows us to target you directly via the Meta Network by serving ads to visitors of our websites when they visit the social networks Facebook and Instagram. I can upload the raw files to my FTP if someone wants to analyze them and check stuff out for themselves.On our websites, we use the Meta Pixel. I don't see it with that test or the built in preamp tests. I'm wondering if it was my mixing that made the difference. In the previous stand alone preamp tests. and it's feature set is impressive for 1 rack space. Which is what the Behringer stuff is supposed to be. I suppose playing back a physical piano with mechanical automation would be the best way.īoth of these setups are to me completely useable. I don't think there's a perfect way to test stuff like this with a live performance.Įven splitting the signal will make things sound slightly different. especially for drums.ĭid anyone else check out the previous examples?. easy to get fatigued when doing comparisons. I need to let my ears rest and I'll take a stab at getting a few mixes for them. I turned them up in the daw a bit more and they were fine. Cranking the level to 10 on the line in channel which was the max for line.in the control panel actually gave me enough signal for a 421 and a D6 kick mic. I had to use 2 line level ins from the dbus in snake. While adjusting in the control panel I was disappointed that the increments jumped from 0. I imagine you can use the 1 dial to adjust but I didn't bother figuring that out. One thing I noticed while trying to get the mic pres happening is you have to adjust inside the control panel as there are no pots for each channel. possibly a bit more dynamic range as well. The Zen I think sounds a bit wider, possibly. It's going to take me awhile to level match. The drag is it's really hard to get an even playing field comparison wise as the levels going into both units were hard to match. I did some recording with just the built in preamps on the Zen Studio and Ada 8200. This is why I loop a few bars and keep them all on the same channel in my DAW. Even having to pause to switch a channel is distracting. I firmly believe we loose the ability to judge something after a few secs. Tom A, B, C, loop, Tom A, B, C, loop, Tom A, B, C, loop I break it down to individual parts, put A, B, C on the same timeline and study how they perform. Meaning, I don't clutter the timeline with all the drums. Its much easier to adjust volumes and focus one thing at a time. Do it to all three and I would study how it stayed in phase and also how the converters dealt with it all.Įxample: I stick each example (snare, kick, tom's etc.) one after the other, on the same channel in my DAW and (compare them on the same timeline). I would much prefer one crash hit 10 sec or less with the tail as long as you could get it. This was my first thoughts as well but B also seemed to be more forward and tighter. I'll listen to them in the studio tomorrow ) Pcrecord, post: 441138, member: 46460 wrote: With my earbuds on my laptop, I like the A and C better. what you would do if you used the same everything but change the interface and tried to play the same thing twice. ![]() The one I have is giving run time errors. I'm waiting for a Texas Instruments fire wire pci card for the profire. Any suggestions on preferred tracks? right now I'm running 3 overheads and 2 kicks. I'll have to reduce the channel inputs to 8 for it to be fair. I'm going to do some at 96 k between the Profire 2626 and the Zen when I get a chance. I also did one at 96 k but that would give it away. ![]() Kicks and bottom snare have to be flipped. You'll have to check the polarity and phase stuff on your own. ![]() rather than me coming up with a mix of either it's better to download and make your own mix. I also did some playing using the different convertors. After getting some sleep I did notice a difference between the Rme/Behringer and Zen D/A wise.
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